New Attic Studio

Although the remodel is still underway, I’m working in my attic studio today. It’s actually a great space … western light, the only drawback, can be managed, especially on a cloudy day like today. Two other times I’ve had attic studios, in Easton and Asheville … have done some of my most elevated painting there. Working on this little Collie commission today.

That’s Alia Atredes, tailless wonder, at the top of the narrow staircase … which I really love (architecture and quadruped) … until it’s time to schlep large furniture upstairs!

That’s Alia Atredes, tailless wonder, at the top of the narrow staircase … which I really love (architecture and quadruped) … until it’s time to schlep large furniture upstairs!

Another Birth of Venus painting. Yes that’s a gold leaf upper background … thinking Botticelli meets Klimpt.

Another Birth of Venus painting. Yes that’s a gold leaf upper background … thinking Botticelli meets Klimpt.

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Not Sure How the Forrest Feels

I love that I had three completely open days to work on the little painting of Sydney, hurricane threat notwithstanding. And here’s the weird thing that happened: painting a happy child in the woods … presumably a lovely, bucolic setting … but I think the energy of the weather …. and a bit of concern for loved ones in harms way … could have led me to paint a scene of underlying menace.

My morning ritual starts with three activities — letting the dog out, starting the coffee, and reviewing the previous day’s work. It’s usually surprising … good and bad … to see yesterday’s decisions after a good night’s sleep. And when I looked at this work in progress, even though there’s still quite a bit to do, I could feel something dark in the woods. Clearly it’s time to take a few days off this one and “turn it to the wall” as my teacher always said. There’s nothing more practical than a fresh perspective when you’re too close to the struggle … give it a few days ‘to the wall’ and bet I’ll see a different painting …. or at least I’ll see a simple way to get it back on track.

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Hurricane Painting Update 3

So far, not much weather here in Upstate SC …. just the right amount of wind and rain to create the perfect paint-all-weekend vibe. Here’s the latest on the painting …. need to get to the figure now … in the source photo she has a darling happy expression, which really makes the picture …. so have to get that right.

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Hurricane Painting Underway

Starting a new portrait/landscape … of Sydney on a path in the woods. Some time ago I painted my favorite time and place …. autumn in the mountains … in this case Wildcat Path in southern Appalachia. Could have sold this little painting several times over … so it’s time to do some others like it. I’m taking an outdoor image of the subject and placing it in a Wildcat Pathish setting …. never done this before … we will see …. and looks like I’ll get to paint through a hurricane. This will be the second time for that adventure … last time was St. Augustine … great energy for studio work until the power goes out. Wherever you are, be safe.

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Flowers in the Kitchen

I started work at fourteen … at the country club in our neighborhood. And even now I remember the feeling that work was magic … it was hanging out with friends, doing something (relatively) useful (flipping burgers at the snack bar), being able to buy things for myself …. what’s not to love. At this point in life I realize work has always defined me …. what I produce, how I touch other people and they touch me, actualizing and expanding my world. So excited to be working with a furniture store and design group now. They are showing my paintings, so working a few days a week in the shop makes me feel like fourteen again … hanging out with designer friends, doing useful things …. guess some things never change. And I also realize that work is the greatest gift … it is living in love: freedom, expression, movement, connectivity, belonging … flowers in the kitchen.

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Bubba the Pirate

Hmmm... it's late enough in the afternoon ... probably won't start anything new today. Maybe some work on Hail and Farewell tonight while watching a movie ... and my Finished-Painting-Ritual: steak with lemon and olive oil, red wine, fresh bread, avocado salad, and fresh flowers in the kitchen. Plus, this is a good excuse for a drive in the country with the top down! Cheers.

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Student work

Here's a student's first dog sketch. At only twelve, she already has a great eye. The model is Roxy, from my current works in progress. When I was a student, we worked on whatever my teacher was working on .... in the tradition of apprenticeship ... so, not knowing any other way to do it, I'm teaching the same way. 

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Bubba the Pirate in progress

Here's Bubba after the second session. One more session should finish ..... don't you love the little pirate teeth .... Arrrrgh!

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Great Advertising is Great Art

At it's best art communicates on many levels ..... and it takes a stand .... it has a point of view. Even paintings of dogs and ads for sports equipment can speak to our highest pursuits. 

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Sing the body electric

Easily two or three more days of work on this painting .... all but the top three flowers are just sketched in .... Roxy's volume definitely needs to be dialed up .... a few other adjustments to bring things into balance...

BUT we are, as they say,  SO CLOSE I CAN FEEL IT!  In fact, I've been living with the imagined piece so long, and feeling our way down the path together .... now as it comes to life, the anticipation is wonderful .... to sing the body electric! 

 

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Marriage of Different Styles

This painting by Japanese (I think) artist, Soey Milk is a terrific example of various styles coming together beautifully. From what I can tell of her work, the focal point of the painting is rendered in the style of classical (Western) realism, and then drops off to complete abstraction moving out from the central focus. She is the best contemporary example I know of (although there are certainly many others) using this technique ... making Post Modern great again. I do love her work. 

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Battle Plan, Meet Contact with the Enemy

Working on Hail and Farewell. Been a day of contradictions, but isn't that what makes art  interesting... and beautiful ... and disturbing ... 

"They" have always said you can't use different painting styles in the same painting and still have the end product hold together. I have never listened to them, but so far in my work they have always been right. In working the vines and flowers I fell into the use of a very painterly style, plus outlining, which I love but seldom use. Although the contrast relative to the rest of the work thus far is subtle, any trained eye would spot the shift right away. I'm going to take this path further  .... I want the two styles to keep moving forward, converge, and marry into one unified whole in the end.

So I have to report that this was one of those days in the studio when I know that all is well. That despite challenges on all levels, I am doing exactly what I am supposed to be doing. These different painting styles will reconcile on some new level where there's nothing to explain.  That is the magic of an artful life. 

 

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Progress on Roxy's Hail and Farewell

Today was a good day in the studio .... some writing and correspondence, some canvass prep, some teaching, and some painting. I'm pleased with how these vines are turning out .... the leaves are underpainted in pale red-violet, which serves as the perfect complement for the bright green finish layer. I found the flowers for this painting down by the river yesterday ... they are perfect .... just wait!  Nothing to do but paint tomorrow, so I can layout the flowers on this piece, and maybe even finish Bubba the Pirate ... but for now ... I need a good night's sleep.

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They hold worlds

On Sunday afternoons in my teens, my father and I would set out to explore. We would tell Mother we were going “driving around” …. she never minded because she’d have the house to herself, and give us her shopping list. Driving around was exactly what we did … sometimes talking, sometimes listening to music, sometimes we would stop at a greasy joint for a hamburger. We’d often visit a building site …. usually something significant like a bridge or skyscraper. Charlotte was then, like now, one big construction project.  

At fourteen something happened on one of our drives that crystallized in my mind, and is still as real to me as the moment it happened.  We were on the newly opened Brookshire Freeway, which we had watched take shape, so we loved driving it. With no fanfare my father said: “I will probably die at about the same age my father did (60), and I expect you to be the man of the family.” I said nothing, and knew two things with absolute certainty: 1. he was right and 2. I would never speak of this for many years. 

He died at 62. It was one year from the out-of-the-blue cancer diagnosis until the funeral. Like me, he had always been in amazingly good health … seemingly indestructible. We both went to doctors only when my mother made us. During the year of the cancer he worked every day … in fact, most people didn’t know he was sick.

A couple of years before the illness, I took a job in Charlotte and moved back to my hometown. It was a great time. The family was together, and Daddy was surrounded by "his girls” — Mom, my sister Terri, her daughter Aubri, and me. For every occasion requiring a gift, and many that didn’t, he gave us each one of four identical objects ….. jewelry, cards, little boxes … all in the shape of hearts. It became a silly family ritual … “what kind of crazy heart-gift can Daddy come up with this time?” 

That is why I hide hearts in my paintings.

Now I wear three talismans on a gold chain necklace, pretty much all the time, certainly when I work. Hard to put into words what they represent …  and that is the glory of symbols … they embody what we could not possibly express. They hold worlds. There is a little crystal heart, monogrammed, one of Dad’s many heart-gifts. There is my cross from Jerusalem. And there is a little red canoe. They hold my story, and my heart, and magnificent worlds to come. One of these days, hopefully soon I'll start a new self portrait. Can't see the composition just yet, but I know these guys will be in there somewhere.   

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Plan B

The plan to finish the dog sketch, Bubba, in one day of painting didn't work out. For a quick oil sketch to work, it has to be rendered alla prima (also called direct painting or wet-into-wet), and my technique for the pet sketches is not entirely alla prima  ... I have always used a color underpainting, let that dry, and then do the second session -- the finish painting alla prima. So today I finished Bubba's underpainting, but trying to layer the finish detail wet-into-wet was producing a lot of mud ... so I stopped with the underpainting.  When that's dry enough, hopefully tomorrow, we can bring him home. 

But the free hours this afternoon gave me time to get back to Hail and Farewell. Started sketching the vines and leaves flowing around the figure. It's just a start, but I think I like where it's going. 

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Daily Rituals

One of the books keeping company with me in the studio this invincible summer is Daily Rituals ... a collection of short essays on various creatives -- writers, painters, poets, scientists and musicians -- describing their work rituals, habits and idiosyncrasies. It's a very interesting little book, and a must-read for creatives. Naturally, it makes you look at your own life, and in my case, provides a bit of validation .... that great 'I'm not nearly as weird as I thought' feeling.

I certainly picked up some rituals from two years with Ben Long: out before sunrise for morning plein air work, back by the time the sun is too high for painting (when shadows go black), break from studio work around 2:00 or 3:00 for lunch, studio or plein air in the afternoons, don't even think about dinner till way after dark, and (my personal obsession) ALWAYS clean the studio before work. Ben managed best with an entourage, surrounded by chaos, but of course, nothing could be more distracting for me.

Today I'm arranging my ritual around a new goal: produce the little pet sketches in two days or less. If I'm going to be doing several of these a month, they need to be a quick hit ... a momentary pause in the production of more significant work. The one I'm doing today, Bubba the Pirate, is actually a bit larger, and I've already set up the composition on a 16x16 board. Finishing the whole piece today is pretty ambitious. But it's 8:30 now, and all the chores are done ... including food prep and Popcorn's daily swim. In fact, even if this experiment doesn't go as planned, I'll probably stick with the sunrise swim ... what a great place for morning coffee!  

Photograph of Broad River race, Lockhart, SC ... with Popcorn.

Photograph of Broad River race, Lockhart, SC ... with Popcorn.

Dear Muse

I have to offer a heartfelt thanks to my muse. OK ... hold the eye-roll. Here's the story:

Focusing this morning on the swirling botanical pattern around Roxy. I've had a general sense of it, but have not completely figured out the execution ... what would be the pattern, and what would it mean? So I worked on sketches .... mapping the flow of elements around the canvass and through the gate. Nothing seemed right. In fact, I found myself drawing a pattern, and then trying to retrofit an overarching logic (which lots of artists do, especially with abstract stuff ... makes me crazy ... I have a great story about this for later).

So that's when my muse helped out, my oceanic visitor of perception. Sometimes the sense of my muse feels like sharing a heart-shaped pod, with our lower bodies coiled into the base. Not at all sure where the shape comes from .... maybe it's just the right brain making picture-sense of an otherwise inexplicable feeling.  And that image is exactly what came to me ... the perfect flow pattern: coiled lines drifting through the opening, connected to heart arches embracing Roxy. Even cooler ... the pattern around the figure forms an eight, for infinity. Lovely. 

OK .... here we go ... 

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Tender is the Night

Here's progress on Hail and Farewell, with Roxy basically finished. Working the figure has been straightforward enough ... the real decisions have been around integrating the dog with the surroundings. My intention here is to create a wallpaper type background, but I don't want her to be floating in the middle of the canvass ... so how much interior-space-illusion to create? Naturally, the shadow under the figure plants her on the carpet. And I opened the form slightly around the shadow shoulder because nothing says "figure floating in space" like an entirely closed form. She will certainly evolve more as the rest of the background elements take shape.

What I love right now is the tender expression on her face. Sure hope that comes through on the photograph. I seem to be awash this evening in tender gazes from quadrupeds .... and listening to "Always on My Mind" by Willie Nelson, just to complete the package. Anyway... such a great feeling .... tenderness tonight .... and swirling botanicals first thing in the morning.  

 

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